Tag Archives: April witch

2000, 27th December (common browns and dragon flies)

The day is ending, let’s go outside,
and watch the sky slip into night
come, hold my hand, I’ll be your guide
as we wander through the fading light.
Around the clearing, the brittle-gums
stand tall in sunset-tinted columns
and honey the air as darkness comes
with massed bouquets of tiny blossom.
And on this stage among the trees
the couples form then float apart
pirouetting in the evening breeze
as from the gullies the night-rise starts.
A hundred maidens flutter by
pursued by a hundred eager swains
against the pale blue evening sky
and take with them the day’s remains.
Their peasant cloaks now drawn in tight
fastened, hiding brighter hues
the dancers leave us for the night
and the stage is put to other use.
So this dance ends, the next begins:
comes darting above the canopy
hunger born on cellophane wings –
hover and strike – how uncannily
their preys’ moves they anticipate.
Large eyes tracking tiny forms
and in a minute they decimate
the terrified and swirling swarms.
But darkness, risen like a tide,
has washed away the last pink light
and all the dancers depart to hide
wherever it is they spend the night.
And we also turn and leave this sight,
retrace our steps and go back inside.

 

My holiday writing project is to complete at least 16 ‘hours’ poems. I wrote a few a couple of years ago, as part of a back and forth with another writer of poems with times as the titles. I always meant to complete a full day but never have, although there are a few from around then on this blog. So this is my re-boot of that project. By the end of the holidays I want to have an April witch sort of poem for each hour from waking to going to sleep. 

I would really love it if anyone else wants to join in and we can link to each other’s ‘hours’ poems. No particular form, and I’m going to try to use several different forms, generally shorter than this.

   

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0700 Christmas eve, 2022

0700
and sleep,
not knowing the holidays are here,
left me an hour ago. Continue reading

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two snapshots and three short films

I (1700 to 1730)
White lines flicker by like heartbeats
on a black macadam river.
Hills flow slowly by
beneath an indeterminate sky –
pastel-apricot blends imperceptibly to dove grey,
before the rising blue flood of night.

II (1800)
From the kitchen window the sky is a flower,
pansy-hued:
above the scalloped edge of the ridge
an inch of golden yellow ribbon
trims a blanket of purple velvet
specked with the first few stars.

III (1900)
Above the trees,
whose presence is implied
only by the stars that they hide,
Orion has tipped over sideways –
a fallen statue beside a milky stream.

IV (0530 to 0540)
Against a background of a billion bright dust-motes
a scrap of ice and stone,
heated to incandescence,
inscribe its path on the sky.
Blink and it’s gone, but another,
and another,
follows. Lower down,
four planets have lined up to point out
where the sun will later rise.

V (0640 to 0700)
Light comes before colour:
a white sky seen through a picket-fence of black tree trunks.
Then, a confusion of hues; yellows, greens,
and last night’s apricot now fully ripened.
Then the day washes downwards from the sky,
and the tree trunks are silver against blue.

 

Some explanation of IV: I got up at about 0530 this morning to look at the eta aquariid meteor shower. After trundling up the driveway and out the gate, and down the road a little and not seeing anything (other than the four planets currently in alignment) I decided “sod this, it’s too cold”. As I turned to go back up the hill I finally saw a meteor, so I lay down on the road for a bit and saw six in quick succession.  

And this is what I’ve started to think of a pansy coloured sky:

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moon-shadows

tree-shredded moonlight
lies in strips across the path
and drips onto my hair
until, shaking it from me,
it pools on the doormat
where by sunrise it has gone

I’ve resumed my daily walks, but with daylight saving time over my walks are now mostly in the dark.  At least at the moment the moon is near full.

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telling stories II: only tell your stories to strangers

Be careful what you turn into words,
and who you give those words to.
You never know what they might do to it –
how they’ll scuff or chip or stain it,
so that it’s never quite bright and clean,
never quite perfect, again. Continue reading

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telling stories I: just words

“I’ll talk it all to pieces if I have to tell about it. Then it’s gone, and when I try to remember what it was really like, I remember only my own story”. Snufkin (‘The Spring Tune’, Tove Jansson)

Let me give you a moment of my time –
a memory,
a story –
all that I saw, heard, felt..
how it was
(well, at least how it was for me)
turned to words, as best I can. Continue reading

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night walks

The trees have sliced the moonlight,
and dropped it
in white strips across the path.
My shadow trails behind me
through this monochrome brightness,
then leads me home
to stand in the doorway
and ask if I want to come in.

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mirrors of the soul II

From an angle
I saw, Continue reading

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mirrors of the soul I

Don’t gaze into my eyes to look for my soul –
eyes are windows for the soul to look out
from the darkness behind.

From the outside,
they are only curved one-way mirrors,
reflecting back your own reduced and distorted image.

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April Witch II

In response to Eugi’s weekly prompt, “bewitched” :

Come, walk with me –
slip into my mind like an April witch
and nestle in the space behind my eyes. Continue reading

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